Tuesday 30 August 2011

ALTERIMAGE - Interview

 Photography by Guy Heart

1. How did you guys get involved in electronic music? How did you discover your love for it?Ian: My friends invited me to a club here in NYC called Twilo when I was 18 to check out some guy Paul van Dyk. I happily went along to try something new and never looked back. I missed PVD only 2 times during his residency at Twilo over the next two years and was a regular at the Sasha and Digweed parties as well. It was a really special time in music history and amazing to have been a part of!
Adam:  That’s a great question and I could be embarrassed a bit to answer, haha. When I was 15-16, I came across some “New York Underground” CDs and trance. Shortly after,  I started getting my way into NYC  iconic clubs like Tunnel and Limelight. Age didn’t matter. It was a totally different world back then, crowds, trends, scene, the whole nine yards. From there I shifted gears by going to the all famous Twilo and buying GU019, Digweed! He actually just played a few of those classics recently in NYC as a tribute. From there, I was hooked. The experience was overwhelming.
2. Were you guys DJs on your own before starting AlterImage or have you always DJed together? And how did you meet initially?Ian: I met Adam on the Twilo message board! I was a DJ a few years before him and did many events during my college years. Adam became my roommate junior year when he transferred and he got the bug and started DJing as well. We formed AlterImage after leaving college when we moved back to NYC.
Adam: Ian said it. Just a side note – Once I got in the zone on the decks I really ended up teaching him how to do it proper, haha . Just kidding, we always joked about that. During college, us and another roommate went to the record stores in town or in Boston at every free moment, bought new tunes and then went back and played records for hours to see who bought better records.  What a great time.  We fought for Tijuana Groove when it came out on Bedrock and I still have all my vinyl. The ones we didn’t like were thrown out on the roof of our townhouse on campus. By time we left, our roof was covered. Everybody could see as they walked by, haha.


 Photography by Guy Heart

3. What does the core of your current studio consist of and what are some of your favourite software programs to use? Do you guys have a separate studio space to work out of or is it based in Ian or Adam's residence? or both?Ian: I use have my iMac and run Ableton and Cubase. For sounds I love NI Komplete and Autoria synths as well. Also a huge fan of playing with samples and using Sound Toys, Camel and Waves fx on them. We do have a separate studio space at each of our apartments and trade stems back and forth when working on tracks. While working together in front of a cpu is fun, its not always an option and can even limit the creative process when working late into the night.
Adam: Yup, separate spots. I have a PC from Sonica and love it.  I use Cubase 5 as a primary sequencer, and then I dabble with Ableton (love the sampler and some to plugs). Favorite plugins? Well that’s top secret, jk . I love all NI components,  Rob Papen plugs,  Sugarbytes and Spectrasonics.  I have a load more but focus on a few core items because I learned them and know them as go to pieces for certain sounds. For processing I use Wave’s and PSP tools in every track.
4. Does your  production style come out a lot in your DJing and do you tend to play a lot of your own productions?Ian: We try to drop our own music and music on AIR as much as possible. Our production style totally reflects DJing and vice versa but only a part of it. We DJ more of a variety of sounds than we produce, simply because we don’t have enough time to produce all the music we want. 
Adam: I agree, we try to play our stuff to test it out in the club and see the response, but if it doesn’t make sense in the set for what’s going on with the crowd then we don’t get to it. We are big believers in the art of opening and programming. So it depends. We don’t like to force it. I think our production style is still getting defined as our skills grow so it’s getting there; however I think it has come a long way.
5. You guys have thrown quite a few events in the past, the massive label launch with Nick Warren, Dave Seaman, Derek Howell and Randall Jones comes to mind; and also events with Chloe Harris and Lank as well.  Talk a bit about the importance of doing events like this for developing the label brand and do you have any events in the future we should know about?Ian: As a label we try to cater to two customers: DJs and the average club goer/music enthusiast. These events bring our artists and music to the forefront of the general audience and allow us to push ourselves and artists to that next level from releases alone. Parties and good times is what music on the label is all about and the events we do allow us to show that! We have had many obligations with the label and production front but look to pick our events up later in the summer. They are a lot of work; time that can sometimes be better spent making a track at the moment.
Adam: What he said.


Photography by Guy Heart

6. If you had to pick some of your favourite AlterImage  productions what would they be and why?Ian: Like with many artists we feel our productions get better each time so its typically the latest that is my favourite! But I love our remixes of Daniel Mehes “Ethnoreality”.  That one got some serious plays from Hernan Cattaneo, i think we have 4 videos of him playing from all over the globe! Very excited about the Mowree remix we did that will be out in July.... EVIL!
Adam: Like Ian said, as we evolve, we always love our latest track. It’s hard to pick a favorite, but I love Timechange, Ethnoreality remix, Muddy Waters, Relax Your Soul (not out yet) and The Bee (not out yet).  I like them because they project the feel I love and work well in the club.
7. What do you draw inspiration from when working? on a new track or remix? Are you influenced by the sounds of other producers when you are in the studioIan: I am always influenced by other music I hear. Music has always been about sharing and inspiring. If I ever need inspiration going out and hearing John Digweed or Lee Burridge makes me want to run home to the studio! My love for this music started in a club setting and to this day impress and make me fall in love all over.
Adam: I’m inspired by artists of all genres. I’ll definitely go out or listen to others for inspiration but never want to mimic them. I look to capture a “feeling”. I want people to close their eyes and dance to the music. That’s why I love compilations like Involver 2. Other producers I like currently are Maetrik, Louis Jr, Guy J, Cid Inc, Quivver..etc.  The list goes on. Other artists in different genres I dig are people like Bob Dylan, Tom Petty, Adele, Pearl Jam, Pink Floyd, The Beatles.
8.  When you guys finish an original production is there anything that determines what your plans are for the track in terms of a home for it? Do you write stuff to specifically suite your own label sometimes?Ian: It’s a combo of many factors that determine where our music ends up. It could be doing trades with other artists, what remixers we think would be good and the vibe of the track overall. We do have goals of labels to work with and have been doing more targeted tracks.
Adam:  Agreed.
9. You've had some amazing producers on AlterImage. Cid Inc, Quivver, Derek Howell, Silinder, Nick Stoynoff and Chloe Harris all come to mind. Who would you love to have on the label in the future and why?Ian: Thanks for that! We love all our artists and look to work with many of them again. But we do have a wishlist of artists we hope to reach out too;  Barry Jamieson, D Nox & Beckers, Pig & Dan are all monster artists we have on our short list and the reasons behind wanting to work with them is the same as any artists, we love what they do and their music fits the direction of AIR.


Photography by Guy Heart

10. Your productions and label have been receiving consistent support from a wide assortment of top DJs like Hernan Cattaneo and Anthony Pappa in recent months. What does it mean to you to have such a legendary figure pushing your work?Ian: Support means everything whether it’s from a top 10 DJ to the bedroom superstar. But the guys you mention are the top of the top and get tons of music sent to them all the time. To have them support what you do is defiantly a sort of validation and gives a sense of pride for the hard work.
Adam: It’s always an honor when people we look up to show support. It’s also an honor in general for anyone to support and appreciate what we’re trying to do.  It’s the circle of love.
11. What is the nightlife like in NYC now compared to 10 years ago when clubs like the legendary Twilo were running?Ian: Ahhh, Twilo. Well its much different to say the least from a scene and a personal perspective. Back then it was all so new and fresh on both those fronts. The club was amazing and there will never be anything quite like it again. However,  the club promoted openness, family, music, good times still live on. We just saw John Digweed at D36 here in NYC and despite the change in scenery (and sound system) from 10 years back, we were with many of the same friends and Diggers blew the roof off of the place, so in that sense things are as good as they have always been. Today NYC music events and club nights are driven by promoters NOT the clubs themselves. So this leads to promoters getting gigs, not artists.
Adam: I share the same view. Let’s face it; Ian and I come from the Twilo Era. Twilo was a special time. Opening sets by Jimmy Van M and Sean Cusick with John Digweed and Sasha headlining. I’d stand in line at 1030pm and meet people from Japan, Europe and other places around the world who travelled to NYC just to go to Twilo and see Jimmy Van M with Sasha & Digweed. That’s a serious warm up with serious headlining. Programming in opening sets today is barely existent. The passion in the crowds has changed a bit too. In my mind, the game has changed in that sense and the driving force behind shows has changed, that’s business and it’s all fair. I don’t’ know if the new generation sees the opening set as part of the experience of the night. All in all, there are a lot of great parties still but the dynamics have changed just as all things do sooner or later. You got to learn how to evolve with it.
One thing I love about the music community is that the friends I made 10 years ago from going out, I still see and hang out with them when I go out now.
12. What have been your most memorable nights out? both as clubbers and DJs?Ian: Not to be harping on Digweed but the guys kills it. His last show at D36 and before that at Pacha have been incredible. Twilo nights like GU19 release, Twilo 5 year anniversary, DT vs Carl Cox, any PVD night were all major points in American dance music culture. As DJ, one of most memorable gigs was with Jimmy Van M at Cielo here in NYC. Sasha and Sean Cusick were both in attendance and in the booth so to be there, with those guys and spinning was like a dream. Sasha coming up to me on line in the bathroom saying our set was “fuckin’ wicked” will forever be a highlight. Our AIR launch party at Pacha with Seaman/Warren/Randall Jones/Derek Howell was a very proud moment as well.
Adam: As a DJ, we have had some great nights and opportunities to play alongside some icons we really look up to. We had a great night with Jimmy Van M like Ian mentions above but also our night with Dave Seaman & Nick Warren was a blast. We have also played some nights with the trance crowds along side of Axwell and Markus Schulz, really amazing time. The crowds are jumping up and down at 11pm. As a clubber, some nights I’ll never forget are Danny Howells monthly 10 hour sets at Arc. Always got there from the start to finish and he played amazing music. The other standout is the Twilo fire drill at 4am during the 4 year anniversary. We stood outside for an hour in the cold and everybody started singing together. When we came back in, the lights dropped and Digweed tore it up. Every time I went out, I met 20 new people (Power Bar meet up anyone?)
13. What do you guys like to do for fun outside of the music?  Ian: I am big into sports like soccer and biking and being outside in general. I love good food and have been bit by the travel bug lately having just done a great trip to London and Barcelona. My friends and family are everything to me and I love spending time with them.
Adam: Spending time with my wife LuLu and going out for good food, wine, beer,  hanging at beaches and playing sports (not watching).
  

Photography by Guy Heart

14. This is one we generally ask everyone and I know it's a tough question but please list your top 5 all time favourite tracks? Also what are your 5 favourite labels at the moment?Ian: So much good music over the years but Ill say:
1. Joshua Ryan – Pistol Whip (James Holden Remix)
2. Timo Maas – Ubik the Dance
3. John Cream & Stephan K – I Wish you Were Here
4. Litex – The Storm
5. Jayn Hanna – Lost Without You
1. Bedrock
2. Vapour
3. Mirabilis
4. Flow Vinyl
5. microCastle
Adam:
1. Planet Funk – The switch (thanks Danny Howells for rocking this during your 10 hours sets)
2. Shmuel flash – Saturn (not on Beatport for some reason but you can hear on Youtube. What a mental tune, wait until 5:30 mark  the guitar riffs will blow you away )
3. Philip Charles featuring Randall Jones & Sean Cusick – Don’t Com Up to Me (Dirty!)
4. Alex Kid – nightshade (Rodriquez Jr mix)
5. Erphun – Paradise Cursed feat. Slighter & manik (Dubfunk Digitized 3 Edit)
I know you said 5 but that’s just impossible, lol. I had to do at least 6.
1. Bedrock
2. Vapour
3. Stock5
4. Iboga
5. Open Records
6.  microCastle
Lot’s of good labels out there these days, some have been so consistent for so long.  I kept my list at 6 but would throw Get Physical out there because they have made some great strides and really contribute to the community in many ways along with solid tunes. Kudos.
15. If you guys were trapped on an island for the rest of your lives what is the one album you would take with you?Ian: Sasha & Digweed “Communicate”
Adam: I’ll take Involver 2. It’s a tough choice with some much good music out there but that’ one hits the spot with the feel and stands out in my head the most. To be honest I don’t listen to many sets, not as much as I would like. I never owned an iPod either, haha. So much time in the studio, I just take breaks from music when I’m out and about.
16. What can we expect to see for the rest of 2011 from AlterIamge and also AlterImage Recordings? Ian: Artist wise we have music coming up on Stripped, Ready Mix, Whose Haus and AIR we are all very excited about. For AIR we have our releases set through 2011, look for stuff from Lank, Silinder, Jim River, Kriece, Fiord and many more.
Adam:  We have some exciting stuff going on. One big item is the new website we have currently being developed. This should be ready to go live at the end of July and will offer a much better user experience for everyone. We’re very excited about it. Keep your eyes peeled and please share feedback on anything so we can help continue to get you what you’re looking for the way you need it. We are artists doing the DJ/production thing and running a label to share the love. We know what the grind is all about and it’s not easy so we have great respect for all the artists out there and want to offer them something great when they join our team.
17. Finally, what advice would you have to all the aspiring producers and DJs out there?Ian: Have a plan, set goals and targets for yourself. Its easy to get lost in the big picture so set small goals that get you in the right direction. In today’s world talent only goes so far, partnering with the right people, building a brand, staying on top of trends and marketing are all equally, if not more, important in getting yourself noticed.
Adam: Tough question, the music industry is changing so much you really need to stay on top of what that change is and how to navigate it to your advantage. It’s definitely easy to get lost in the shuffle when just focusing on producing or DJing. You shouldn’t just do one or the other; you should be versatile and cover the full spectrum of being an artist or business person.  It will help increase your success rate because you become more valuable. You need diversity.  You can’t predict the future, so short term goals, motivation and having something to offer are key. 

                                                                                                                          Interview by Annette Heart

MELISSA ALABAMA GRAVES - Interview

Photography by Guy Heart

1. When and where did you get your first tattoo, and what was it?
I got my first tattoo in a little town called New Hope Pennsylvania.
A little artsy gay biker town, right by the Delaware Rive, near my home town in New Jersey. It's a 1/4 sleeve on my upper right arm, a 3 headed crow with 6 legs, with the ship from AFI's "Black Sails in the Sunset" sailing away below it into the waves, and Mount Fujian in my armpit (if I grow my armpit hair out, Mt. Fuji erupts haha)
2. Who was the tattoo artist? How did you know about him/her?
His name is Brian Ulrich. I saw Brian's tattoos on a lot of my friends and they were really bright and dramatic. His work is really detailed, intricate and colorful, he is incredibly talented. A total genius and hidden gem in that little town.
3. Is he/she your favourite tatoo artist?
I dont have a favorite honestly. In terms of length of relationship, Brian and I have the longest relationship. I've known / been getting tattooed by him for around 8 years now.
Photography by Guy Heart
4. Are your tattoos personal? do they carry any messages?They all carry more of a story than messages. Everything is a narrative. s
Some of them are more direct some of them are more alagorical. The tatoo on my throat (de profundis clamavi) has multiple layers, relating to a psalm in the bible (130) which is the most profound cry to God for pity/love, to a Baudelaire poem about sadness in winter, to a song lyric with a lot of personal meaning, for one small example.
5. What are your believes spiritual/religious, are they connected to your body art?I consider myself a "pan-theist." I dabble in all forms of spirituality, everyone is welcome... I am most connected to the NYC chapter of Dharhma Punx. Their practice is fundamental Buddhism, the path to freedom and happiness.
There is also this evangelical preacher, a real radical freethinker, his name is Rob Bell, who wrote a book recently called "Love Wins: Heaven, Hell and the Fate of Every Person Who Ever Lived." he basically says god loves everyone, there is no hell, unless of course we chose it in the here and now. I dig his message not only because of that but he is also an artist, a graphic designer, he has a whole video series out called Nooma, pure genius. I saw him speak for his book release, real genuine loving guy. So I mix and match. Whatever speaks to my experience of life.
Photography by Guy Heart

 
Photography by Guy Heart

6. Do you feel it can be addictive, having tattoos?Yes, at least when I start one I want to finish it *now*. But I don't rush into getting one for the sake of getting one. I want to get another tattoo on my right leg, thats in the planning phase. My left leg is tradional asian and my right leg is gonna be Hollywood glam, kind of Marilyn Monroe meets Vaudeville burlesque sexy hollywood sideshow....
7. What are you doing for a living?I am an artist, that is my life long career since I was born. I was born an artist. I am an artist above all, and I am also a part of my art. I show and sell my art, and I work in art store to pay the bills. Secondly I am alternative model, the whole tattooed model circuit. I've been doing work recently with Dan Witz, he is a really famous street artist here in Brooklyn, he is doing a new series "What The F@#K??" and a related series called "Early Sunday Morning". We did 3 shoots and he is doing several prints and painting or two of me for his next show. The prints are popping up on the street now. After the show opens (June 30th, Jonathan Levine Gallery) we are gonna shoot again for Suicide Girls. I am still trying to become a Suicide Girl, I have been putting myself up now for 4 years now. last time i reached nearly a 1000 votes. Still don't know why they didn't pick that set up, but I'm not giving up.
Photography by Guy Heart

9. How long have you creating art for, when did you finish school?Alll my life, since i was 3, I found in my parent's attic my first painting, which was red tempera paint on newsprint. It was our house on fire, one of my brothers wanted to be a fireman...i guess i wanted him to come to put it out....ha ha ha. I drew a line to me and my dog running away from the fire. I got sent to the counselors office of course. Ms. Pickle. Ive always had to explain my art ha ha. I would draw all the time at school, I spent all the time i wasn't in ISS (in school suspension) for smoking in the bathroom in highschool in the art room. It was my sanctuary. I went to portofolio day, where you whore yourself to the art schools in the college application process, and SVA in NYC accepted right on the spot. my work was so controversial... I was written about in the local paper... I was always an outsider artist.
- What was the piece?
I took a wooden cross and covered it in money, I put nails, blood and hand prints on it, and i put a picture of George Bush in the middle on it shaking an saudi arabian prince's hand and there were 2 hands behind him holding money bills in the middle. and there all pictures of Hitler going up and down the sides. It was a mixed media piece. It was for for the end of the year art show. I got banned from the art show and it went to the local courts and I just got away with it by a lupehole. I was a notorious 17 year old in Junior High school, when that happened.
My biggest art show as an adult i was 25 and a solo one at Ripleys Believe It Or Not! Museum in Time Square for 3 months. I was the freakshow artist.
- Are you working towards a new show?I want to get in at the Fountain Art Fair next year. I sent in a request for that.
- Who is your favourite artist?Diane Arbus, Joel Peter-Witkin (he shares my theory about the human abstract), Weegee, Matthew Barney, Alexander McQueen, Liz Houston, Liz McGrath, oh God, Dan Witz, my homie, so many, John John Jesse... I can go on.

Photography by Guy Heart

As i noticed you have mixed different looks together and created a uniquie one for yourself?
I am A LOT in a very small container haha I am a collection of A LOT of VERY diverse, eclectic inspirations, visions and styles. I am a living canvas, which is my overall belief as a tattooed woman. So my fashion, my hair and clothes, it's all yet a further extension of my artistic expression. A lot of what you find influence my art and my tattoos and my internal life is expressed through my fashion. From my horse tooth rosary necklace from Obscura Antiques - I've even made a necklace out of a muskrat skull I bought there years ago that Time Out New York featured in a style spread about me - to my vintage 80s metal T-shirts (Nikki Sixx and Axl Rose were my first loves). I work at a vintage clothing store too so I have a lot of unique things.. I DIY a lot of clothing. My hair stylist - Terra at Mudhoney Salon on Sullivan Street - is also a sculptor, which is why I've stuck with her. She sees hair in the round, like a piece of art. So she's done things with my hair NO ONE else could ever do. She tops off my fabulousness with some amazing hair-do's. I get mistaken for both Lady Gaga and Haley Williams. I take them both as compliments (smile)
What are you into when you are not working /creating your art? Sleeping! Actually I wish I was sleeping ha I like to see my friends when I have free time. My friends are my family. When I'm not working, making art, modeling, collaborating, meeting clients, etc, I like to hit the gallery district to check out new art, go to museums... I'm a TOTAL gym rat. I love the gym. Running is meditation for me. It's one hour of peace, just me and the machine. The whole world falls away beneath my feet. My number one drug is also TV. I'm hooked on bad reality TV like Rock of Love, Celebrity Apprentice, LA Ink, and I love love LOVE House,, Californication, Dexter and True Blood. My friends and I have Dexter parties when the show airs and we cook Red foods and watch it together.
11. do you believe in aliens?Yes, absolutely! I've been to the deep south and the Midwest. They're here earth. And they're fat.
12. where do you see yourself in 10 years time?Hopefully comfortably successful, living in a cozy manhattan Loft, living off my art work, showing, creating, collaborating, traveling, fully tattooed, with a hot boyfriend... Or two :)
13. would you like to use this oppurtunity to carry a message?I'm here. I'm relevant. I'm not sleeping. I'm a threat. Watch out, there's so much more to come.

Photography by Guy Heart

                                                                                                       Interview by Annette Heart

NYC TATOO CONVENTION May 2011


Photography by Guy Heart

On a sunny afternoon in May, we went for a short drive to visit the 14th NYC tattoo convention. The event was held at the historic “the Roseland Ballroom”, at 52nd Street a couple of busy, bustling blocks away from Times Square, the heart of  Manhatten.The Roseland is a legendary location for special occasions and the story of ballroom dancing and entertainment began here eight decades ago.
Photography by Guy Heart
This is a convention that offers more than just tattoos, outside the doors we passed by very colourful and intense looking characters. All NYC’s tribes were present, from pretty burlesque tattooed pin-up models to almost Vikinger-esque looking Hells Angels.
We entered the venue and were flooded by the sound of relentless drilling of the ink needles which became the athmospheric hum of the afternoon.

For $20 you get a full day’s experience of many different styles of tattoo art and designs.  We browsed curiously all stores which offered an intriguing variety of low - brow and black market art, jewelry, rock and roll gear and many more original items.
Photography by Guy Heart
The lack of entertainment as far as bands, side show acts and burlesque compared to conventions across the world was disappointing. Fair enough, it is a tattoo show and priority is tattooing without distruction. We certainly noticed many stunning creations, and the elite earned their prizes. On Friday Ish from Tattooish in Netherlands Antilles, walked away with the Best of Day trophy. On Saturday Placaso, from California, won his first of two.

Saturday is also the day when a lot of people go up to Paul Booth’s famous studio Last Rites after the convention closes, to view a gallery opening featuring macabre art made by the foremost tattoo artists.
Photography by Guy Heart
With respect to the art of tattooing, it seems that the American is a little more receptive to new ideas than the European who rather performs by the rules. However it appears to me that here you can change around and mix things up.

Photography by Guy Heart
The Ban....
Back in 1961, tattooing in New York City was forced underground when the City Health Department figured it had found a series of hepatitis cases coming from studios.
It wasn't until 1985 - 24 years later, but still 12 years before it would be legal again in 1997 - that the New York Tattoo Society came together to apply for legalising their trade again.
At the beginning, the city introduced unworkable regulations that included $5000 licensing fees, and decorating restrictions.
 Eventually, sanity prevailed and a set of regulations that would work for both artists and the city came about - these included a $100 dollar licence fee and a health department examination. Conversely, artists found operating illegally, could face serious fines.

Photography  by Guy Heart

“Today NYC is the place where activity and excitement brings the world's most famous names together.”
Review by Annette Heart

JEREMY GARRETT - interview


Photography by Guy Heart

1. Why are you a tattoo artist when it is forbidden in the Jewish culture?
I started tattooing before I became religious.  Actually, I started tattooing accidentally. I went to college to study visual arts, I was studying illustration and comic book design. When I was in college, I had a friend who wanted a tattoo and offered to buy me a starter kit if I would tattoo them.  At this time, tattooing was illegal in NYC.  I agreed eventhough I thought they were joking.  When they actually bought the kit I then had to do the tattoo for them.  I was completely stressed out because I didn't know anything at all about tattooing. 
2. You trained yourself?
No.  After my friend bought me the starter kit, I was in class one day shortly after that and was complaining to a friend of mine, “Little Dan” this biker dude, about the situation.  I was really freaking out about having to tattoo my friend and didn't want to horribly scar them.  He told me not to worry about it that he knew how to tattoo and would show me how.  It was very difficult but through pure stubborness I picked up the basics pretty quickly.  From there a somewhat relutant career of tattooing snowballed.
Photography by Guy Heart

3. You obviously started to enjoy it?
It took me a while I had no intentions of becoming a tattooist.  I thought I was going to be an comic book artist or an editorial illustrator and this tattooing thing would just be a hobby at best.  When I started the NYC tattooing scene was different than it is now, the City was rough and it was still underground and there were all of the typical negitive stereotypes associated to it. When it became legal in NYC, all of that changed and the tattooing scene seemed to explode across the country.  Since then it's become more accepted in main stream culture and a lot more art students have been drawn into the industry.  This career has been very good to me and given me a lot of freedom.
4. Who are your biggest tattoo heroes and who are your biggest influences and why?
Tattooing heroes would be Tin Tin in France, Arron Cain, Guy Aitchison and Chris Dingwell.  Biggest artistic influences are Ralph Bakshi, Todd McFarlane and Alphonse Mucha.
There is a lot of young talent rising up, which is great. Some people try to make it difficult for them regarding licensing. The tattooing industry should definitely be regulated with basic guidelines pertaining to sterilization, infection and exposure control but unfortunately, there are some tattooists who would like to over regulate the industry beyond what's really necessary just to try and stave off competition.  That’s so insecure.  I think the more talent that's around the higher the standard of art in the industry.
There is this girl Kay Darly, she is fricking amazing, she is really young, she is like a master.”
5. What are your favorite styles?J: Comic art, when I do a design I can’t help bringing this into my work.
Photography by Guy Heart

6. How do you feel about copyright and ownership discussion recently, who owns the work the tattoo artist or the paying customer?J: The tattooist absolutely owns the rights.  When you make an illustration for someone you give the client limited publication rights but they don’t own the rights unless specified.  When people contact me for a tattoo, I let them know through email and in written agreement that I retain the copyrights. 
In the movie Hangover 2, one the actors in the posters is wearing the Mike Thyson tattoo design on his face, the tattoo artist who designed that piece has been in a copyright battle that has been holding up the release of the movie because he is suing the film company using his design without permission.  It's kind of funny since the movie industry complains about people sharing copies of their movies but with this production they are essentially doing the same thing.
I think maybe the reason copyright issues are becoming more prevalent in tattooing now is because more and more people coming into the trade actually have art degrees.  They have been educated and are familiar with copyright laws and know how to protect themselves.   
7. How does it make you feel, when you finish a unique, perhaps large piece and the customer walks out that door?J: In one way it's a little sad, because after working on someone for such a long time I get to know them very well and maybe I wouldn’t see them again or for a long while.  On the other hand, I'm always glad it's finished that they've got my work on them and they can show it off, that makes me proud and honored.
8. What advice would you give to someone, who is thinking of starting out as a tattoo apprentice?J: I have an apprentice now, and I tell him if you want to make it and be recognized, you have to work very very hard.  There are so many tattooists it is ridiculous.  If you want to make a decent living out of it you have to work hard all the time.
I usually get to bed at 3am and get up at 9am.  I tattoo at the studio all day and then go home and draw all night.  I work non-stop.

Photography by Guy Heart

9. Where do you get your ideas for your illustrations? J: From my clients.  I sit down with them and try and  find out what they are interested in, what has specific meaning to them.  I think it's important that they really think about what it is they want to mark their bodies with.  I want my clients to have as much input on the design as possible.  I like to illustrate based on their guidelines.
10. When you don’t tattoo what are you into?J:  I do a lot of reading.  I also love the outdoors and I love to travel and go camping when I can.

11. What are you reading?Urban Fiction, Science Fiction and Mysticism.  Jim Butcher, Jeffery Thomas, Robert Jordan and Aryeh Kaplan
12. Is this were you get your ideas from?J: Yeah, it's certainly an influence.
13. Would you like to use this opportunity to carry a message?J: I am so grateful to this industry.  It has given me a chance to support my family and myself. That’s something I wasn’t expecting when I first started tattooing.  I've really grown to love tattooing and I am trying to do my part to help elevate the industry.  It's a great industry for artists to get into as long as they are willing to put in the time learning and perfecting the trade.  It can be very rewarding.
Photography by Guy Heart

                                                                                                                       Interview by Annette Heart